This symphony was completed in 2017 from initial sketches
made in 1997. It is scored for three trumpets (one in D, two in B-flat),
four horns, three trombones (two tenor, one bass), euphonium and tuba.
Brass ensemble is a difficult medium to score for; each instrument
has different things that it is not good at, and the cliched "brass band"
sounds must be avoided or at least re-imagined.
The Symphony is in four movements:
The first movement (Allegro non troppo, B minor) is in an unusual
varying meter, whose basic idea is that each bar ends with an extra half beat.
It is in sonatina form: the exposition is immediately followed by a developing
recapitulation. The music is dark and almost dystopian, with only occasional
comic relief, as where the second theme is brought back in a parody of
"oom-pah-pah" style.
The second movement (Vivacissimo, G major, 2/4) is a scherzo, with
trio in C major.
The third movement (Largo, E minor, 2/4) presents a dialogue between
slow-march idioms and sudden loud passages based on staccato chords and fast
trumpet scales. Toward the end, it turns out to have been an extended
introduction to...
...the fourth movement (Allegro, C major, 6/8), which is best taken
as a good, fun romp, while it goes about its serious job of sorting all the
contrasts and loose ends from the preceding movements. Most of that is done by
rather technical means (including a conflict between C major and C minor/E-flat
that goes all the way down to the wire), which are no less effective for not
being obvious.
As of 24 July 2020, the score of this work still requires editing for (1)
the typographical handling of the time signatures, (2) enharmonic spellings of
various pitches for optimum readability, and (3) clef changes in the horn
parts. This notice will be removed at such future time as these issues are
resolved.
Copyright © 2015 -- 2022 Frank Wilhoit